By Louise Rachlis
Across the city, in all kinds of art venues, there
are swelling ranks of older artists perfecting their painting.
“They are all
are doing what they have always wanted to do - and that is paint,” says artist
Kevin Dodds, who has a gallery at 1101 Bank Street. “They have the time and
they are enjoying themselves now in the later years by working on their
artistic skills.”
His students tell him that they are inspired by the
beautiful artwork on the walls of the gallery, and the soothing music, when
they come to paint.
“I have a great following of older female and male
students taking my Tuesday and Wednesday afternoon classes,” says artist Dodds,
who describes them as “mostly retired ‘zoomer boomers’, aged approximately 62
to 91.”
“I
consider myself very fortunate to have the mature students,” says Marcia Lea,
owner of Davis Art School in the Byward Market. “I find all art students to be
interesting and diverse people, but these students in particular bring so
much life experience and education to the classes. My daytime mid week
classes often have many older students. These are some of my favourite
classes... The conversations in class are amazing with everyone’s rich background.”
“One day I even taped the conversation, with
permission,” she said, “because one of my students was a former RCAF pilot from
WWII and another had been a small boy in London during the Blitz. They
were discussing all the planes and the bombings and how they had experienced
them. We learn about more than just art in class, we learn about life and
how we can share our experiences with each other. Art is such a doorway
to experience.”
Many of
the students who come to Davis Art School are people who have always packed
many pursuits into their life, including education, she said. “A large portion
of my students are professors and teachers, even art teachers, who want to
learn more about art and how they can best express themselves. They show
a life-long commitment not just to teaching but to learning as well....It is
wonderful to see people taking full advantage of the opportunity to pursue all
of the things that they have always wanted to do, but never had time to
before.”
Don Westwood, a retired architect and professor
emeritus from Carleton University, is taking art classes at Davis Art School
where much of his inspiration comes from unique architectural elements in
Siberian wood structures. “When I was an architecture student myself back
in the 50s, we used watercolours to help give texture, shadow and
three-dimensionality to our design drawings. It was a means to an end; I never
had the chance to explore the medium for its own sake. Now I can,” says
Westwood, who also a singer, actor and television performer. “One of the
main reasons why I am singing in a couple of choirs, indulging in acting
workshops and taking art classes is because, as a one-time dedicated teacher
myself, I never want to stop learning.”
Westwood feels that taking art classes - “or
indulging in any pursuit for that matter - not only gives you the opportunity
to continually learn but also offers you the luxury of devoting a few hours
solely to one endeavour; to avoid the feeling of guilt one might otherwise
sometimes feel when there is often so much else that needs doing around the
house!”
He adds that “one essential aspect of all painting
is to capture light, in all its complexities. It also happens to be a key
quality of successful architecture. That is what attracted me to the paintings
of Marcia Lea, and is why I am taking classes from her.”
He is delighted to be in art class. “Clichés arise
because they happen to be based on fact. Such is the case when one hears from
some retired folks that they have never been so busy until they retired! It is
indeed wonderful to be able to engage in various activities and be relatively
free of the petty politics found in most workplaces.”
“Ever
since high school, I have always enjoyed using my creativity to paint and use
the right side of my brain; creativity,” says another Davis Art School student, Sami
Mohanna, a professor of medicine at the University of Ottawa and a family
doctor. “It
has been very obvious that my visual way of learning has influenced me to go in
medicine. The importance of the drawings that described anatomy and pathology
as well as the many pictures that helped us to develop our skills has increased
my interest towards the arts.”
He is
about to retire and is following his passion for art. “I now have more
time to be creative and free to explore new ways to express myself that are
completely different from being rigorous and aimed at helping others to return
to a healthy state,” said Dr. Mohanna, who gets some of his inspiration from
his youth in Egypt. “I can pursue different ways to be myself with different
media and enjoy the freedom given to my feelings without being bound to rules,
standards or requiring the approval of my peers. In art, there is no right or wrong, one can
act with his intuition. I have this sense of peace with no restriction for the
time taken to complete a painting or a drawing.
I am in a constant search to improve my skills. I can do what I feel
like, there is no judgment, and I am my own limit.”
“It’s good to do activities
that use the left and right part of your brain,” says Nola Juraitis, a Glebe
artist who has studied with Bhat Boy, Kevin Dodds and Chris James. “After many
years spent working on a computer, colour has become an essential part of my
life.”
She observed that there are
different approaches to art but all are enjoyable: some only paint in the class
as a form of relaxation. Others paint both in the class and at home and then
some of these go on to sell their paintings. “Regardless of the approach a
major side benefit is that you make new friends and some of us have gone on to
paint together when the classes end."
“The medium you pick is very
important,” says Juraitis. “If you don’t have a car, acrylics and watercolor
dry more quickly and are more portable.”
However, oil paints also have
advantages on the technique front because they are slower drying and the
colours are so luminous. She uses cheap baby oil to clean her oil paint brushes
and then just a touch of odorless solvent and dishwashing liquid. “No more cans
of smelly turpentine which is a consideration as during winter most of us paint
at home. There are ways of working with oils in a non-toxic way.”
She makes a distinction between drawing
as an art form and drawing for painting, and emphasizes that new artists shouldn’t
be intimidated by drawing. “You can just have fun. It’s a wonderful feeling to
dip a brush in paint and put it on a canvas. You link to yourself.”
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